Review of American Gods by Neil Gaiman

American Gods by Neil Gaiman
ISBN 978-0-06-205988-8

Continuing my series of book reviews for writers, today I tackle someone who is a favourite of many, Neil Gaiman, and his ‘American Gods’.
I wish I could write this well. The language is wonderful, the descriptions are full and satisfying. The word choices and the depth of research are astounding. History and hard work are on display here.
Reading his own comments on this tenth Anniversary edition of ‘American Gods’, I laughed to read that some people love it and some hate it. I don’t fit neatly into either camp, but can see some faults that bothered me.
Almost every writing course I have taken has spoken about character arcs, having the main character (MC) want something, need something, and finally learn something. I don’t get that in Gaiman’s books. The MC seems to just be along for the ride. Richard in ‘Neverwhere’, the boy/man in ‘The Ocean at the end of the Lane’ and Shadow in ‘American Gods’ are passive observers. We don’t know what they want, and they put no active agency into getting it. As a result I read without much involvement. If the characters don’t have much invested, why should the reader?
The second fault I had was with the story. Spoiler alert. Two groups of Gods are fixing to have an epic battle. The suspense builds. Why they are battling is not clear, and the stakes, beyond their lives, is less clear. These Gods don’t seem to have all that much real power over the society, America, they purportedly rule. And who exactly is prodding on the war is not clear. But then, the war doesn’t happen. Return to status quo. Whoa.
There may be too many characters to keep track of, and while I don’t like the cartoon character naming of people, it does help address the large cast.
I felt this book could of had a bit better editing, but famous authors seem to make editors gun shy. Pity. Shadow hung from a tree dying for nine days, during which thoughts and images and history went through his mind, until I was hoping he would just die. Enough.
And then the worst fault, the magic rebirth. If people cannot die, the stakes are reduced to ‘Who cares’. In ‘NeverWhere’ and ‘American Gods’ people die and then magic wand, come back to life. Because I expected Shadow to come back, I wasn’t worried about him dying. Again, a lack of investment by the reader in the character and the story, which weakens the whole thing.
I was looking for some sort of metaphor of this story to American life, but if it is here I missed it. New Gods versus old Gods I sort of got, but this is a mainly rural book, so the push and pull between city and rural is missing, as is the conflict between left and right, Red and Blue. So many issues like race, poverty, guns, religion, abortion, etc, are ripe for discussion if only metaphorically, and with a title like ‘American Gods’, I think that is what I was expecting. Sadly, no.

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